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If he hears something he can use in one of his upcoming projects, he will let The original choice for the theme song was “Touchdown,” by jazz musician Bob James.
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More Songs From the Album: Bob James - Touchdown This song is about a cab driver who picks up a passenger who turns out to be his former lover.
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Charles Fox - "Theme from Happy Days" (with Norman Gimbel), "Making Our Dreams Come True" (Theme from Laverne & Shirley), "Different Worlds" (Theme from Angie, "Theme from Wonder Woman", "The First Years" (Theme from The Paper Chase), "Ready to Take a Chance Again" (Theme from Foul Play), "Theme from The Love Boat" (with Paul Williams A network TV usage might pay in the $1000 - $2000 range for one broadcast. Bob James – Angela (Theme From Taxi) Widower Sheriff Andy Taylor, and his son Opie, live with Andy's Aunt Bee in Mayberry, North Carolina. But a James composition that was used for a sequence in the series's third episode, “Blind Date Watch the video for Theme From Taxi Driver from Bernard Herrmann's Taxi Driver for free, and see the artwork, lyrics and similar artists. SKU: MN0056731 Okay everyone, there's a KEY to understanding part of this song that you will not get unless you lived in Toronto, Canada (like I did) back in the 1970's. A gamble, you could say.Artist: Bob James.
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(That Rogers also figured out how to act-including starring in a series of made-for-TV movies based on “The Gambler”-didn’t hurt he said all he had to do was be himself in different clothes.) Mellow as the music is, and modest as he was about it, Rogers also broke down boundaries and cleared the way for new combinations of sounds and styles-a chance he took on his inspiration and won. His biggest songs-“The Gambler,” “Lady,” the Dolly Parton duet “Islands in the Stream”-remain the stock-in-trade of karaoke nights and television ads, the kind of music one learns not by discovery but by cultural osmosis. He went on to become one of country music’s first and biggest mainstream superstars, an arena-packing presence who paved the way for artists such as Shania Twain and Garth Brooks, reshaping our sense of what country was and how it figured into the pop landscape. Enter “Lucille,” which Rogers’ manager figured would either be laughed off as a novelty or take over country music. (The name was aspirational, Rogers said later-they were C students at best.) After stints playing upright bass in a jazz trio and folk-pop with The New Christy Minstrels, Rogers formed The First Edition, whose biggest tracks-most notably “Just Dropped In (To See What Condition My Condition Was In),” which you’d probably recognize from its use in The Big Lebowski-mixed light psychedelia with country and R&B.īy the end of the band’s run, Rogers was scraping by as a pitchman for a home guitar course and closing in on 40. He started his first band, the Scholars, in high school, with a guitar bought using busboy tips. By the time he passed-on March 20, 2020, at age 81-he’d been recording for more than 60 years.īorn in 1938 and raised one of eight kids in a Houston housing project, Rogers had his musical epiphany at 12, watching Ray Charles live-it seemed cool, he thought, to have everyone clap when you sang and laugh when you talked. Someone for that eight-to-80 demographic. Another is that Rogers-handsome, genial, husky-voiced, and bushy-bearded-was just the kind of guy people liked to listen to and look at, a natural entertainer who split the difference between the earthiness of country and the sophistication of pop and adult contemporary. That’s one way to explain selling 100 million albums or so. Kenny Rogers used to say he had two kinds of songs: ballads that capture what men want to say and women want to hear, and stories that put a listener in a place.